BLAARGH! – The Dissolution of the Spider-Marriage
Why do bad things happen to good fans? Whether it’s atrocious art, ridiculous writing, or something else entirely – some crimes against fandom cannot go unanswered. When that happens, it’s time to say “BLAARGH!”
You had to know it was coming. What four color tale has been more reviled than One More Day/Brand New Day? Even Joel Schumacher’s glad he didn’t have anything to do with this trainwreck!
For anyone not in the know, a few years back, after Peter Parker’s Aunt May was fatally wounded by an assassin’s bullet meant for Peter, the Webhead went on a quest to find a way to save his aunt’s life. Science was out. Sorcery couldn’t do it. Time travel wouldn’t work, because suddenly there were forces to prevent that sort of manipulation of the time stream (I assume Bishop, Cable, the Richards family, Doctor Doom, Iron Man, and – well, roughly half the Marvel universe – had some sort of temporal hall pass). Ultimately, Spider-Man was left making a deal with the Devil to save his aunt’s life, and in exchange, Mephisto claimed not Parker’s soul, but his marriage. Other godawful elements of retconny goodness came from this deal as well, but editorial’s main drive was erasing the Spider-marriage from existence, and it was that decision – and specifically how they went about doing that – which I want to talk about here.
You see, Joe Quesada had apparently grown tired of getting his weasel wacked by the same woman every night, and wanted Spidey to be able to enjoy some swinging not of the webbed variety; the kind that married men like Joe and Peter just can’t get away with. So, the mystical whammy retcon was decided upon. But why? Why not just go the route of divorce?
Well, divorce is evil. More evil than making a deal with the Devil. At least, it seems that was the decision made over at the House of Ideas. Hence this BLAARGH!
I’m currently going through a divorce ::pause for “awwws”:: and the fact of the matter is, even as the one who ultimately made the decision, it isn’t easy. Now, I’m not the type of guy to draw parallels between my life and that of a comic book character, but the simple fact is this: like Spidey, I was in a marriage that just wasn’t the right place for me or my wife to be. No, I wasn’t putting myself and her in danger every night by going out dressed as a costumed vigilante. But in insisting upon continuing his costumed career, Peter was lying to himself about his priorities, his commitment to his wife, and the long term sustainability of their relationship. That was something I could relate to.
Now, I’ve made in my life two very huge decisions: first, I chose to marry a woman I loved in the hopes that our union would strengthen our relationship and somehow “make it work;” second, I chose to end that marriage because it had become clear that making it work wasn’t going to be possible – or at best, that even if we did make it work, I’d always be waiting for it to all fall back apart. This was a horrendously difficult decision to make. It hurt me, and worse, it hurt the woman I loved. But I knew in my heart it was what was best for the both of us in the long run. Since reaching the decision, I have been through a rollercoaster of events and emotions. I find myself pressed with seemingly Herculean tasks – divorce is not easy.
What’s my point? In choosing to avoid divorce like the plague, Marvel has done two things:
First, they’ve managed to vilify the very concept of divorce. Not that it was being lauded prior, but… let’s face it, when you’re unwilling to attach the stigma of divorce to your flagship character and instead have him inking deals with your substitute Devil… that says something. Whether you intend it to or not. This wasn’t Loki. This wasn’t the Beyonder. This was Mephisto – Marvel’s surrogate fallen angel. If that is okay, but divorce isn’t? Well, message received, loud and clear. Personally, I’m more than a little offended by this. I’m not saying that I’m a hero for getting a divorce, but I certainly don’t think it makes me a villain, either. This was a necessary evil, and a decision I had to struggle with long and hard before making it.
That brings me to point number two – Marvel missed the boat! There is AT LEAST a year’s worth of subplot to be had in a character like Peter Parker going through a divorce. You let Aunt May die and you leave Peter feeling responsible for it, and we all know how Peter feels about responsibility. Over the next four issues, Spidey contemplates the possibilities before him, and eventually decides upon what must be done. Then, for the next year, you tell the story of the Parkers dealing with their separation, filing, etc. all while Peter’s trying to juggle his career and costume. The paperwork, court dates, division of property… it could all have served as a vehicle for showcasing Peter and MJ’s character and the strength of their bond despite being faced with such an untenable situation. Toss in a cameo from Nelson and Murdock as Pete foolishly seeks their help with the legal side of things and if you ask me, you’d have had one hell of a story that would have changed the face of Marvel Comics and their flagship character, while still allowing everyone to remain in character.
No messy continuity. No deal with the Devil retcon. Any of the new characters you’ve introduced still could’ve been brought on, and after the first arc, you could explore the idea of Peter returning to the dating scene. This time, in fact, with a different spin from his first time out, as now he’d be the reluctant divorcé trying to create a semblance of a normal life while still trying to hold his supporting cast at bay for their own good. Missed opportunities all around, if you ask me, Marvel. But hey, why tell a relatable story wrought with pathos when you can just wipe off the dry erase board and start again? I wish I’d had that option. Hell, it worked so well for the Distinguished Competition, they’ve done it more than once! Oh, wait… maybe that’s a bad sign…







Between Sins Past, The Other, and OMD, this has been one sucktastic decade for the 616 wallcrawler.
I actually liked Sins Past. Yes, I’M the one. And yes, ASM #49-50 were truly amazing.
Kerouac getting phone numbers in 10, 9, 8, 7…
My biggest gripe with Peter giving up his marriage, was that it was done in favor of saving his 150 (give or take) years old aunt. She was dead already and we got her back in some dumb manner. Years later Marvel has the chance to let her have her final peace with her loving husband, but no, her nephew probably really likes them wheat cakes. And he’ll give his greatest love (face it, tiger, MJ beats Gwen) for them.
If the whole story was done so Peter and MJ will be separated, then there are so many better solutions. The divorce is one of them. Heck, they’ve already been separated years ago and JMS was the same writer who made a big deal to reunite them. And ASM #49-50 were great issues, for that matter.
I agree, that the fact that this all happened to same a geriatric broad who SHOULD be dead was one of the dumbest plot points. Epic fail all around.
David. Be afraid. Be very afraid.
This is still in the distant future for us in the uk but I am not looking foward to it at all…
hmm sacrfice my love for someone or sacrifice a beloved family member who has one foot in the grave…..sorry granny!
I was on board for Sins Past until the big reveal, and then I was like “HUH? Oh, that’s BULLSHIT!”
I wonder what’s going in editors/creators’ minds when they come up with those wacky stories or discussing them in meetings and decide what’ll be published. What makes them decide “This will work and won’t make our readers feel stupid”? With so many plot holes readers find nowadays, I wonder if all the people working on one DC/Marvel issue deserve their salary. If a 10-year-old can find the illogic in something Peter Parker is doing or find continuity errors or realize the stupidness of the story presented to him – these people have failed miserably.
You sort of hit the nail on the head Tomer. That was always my biggest problem with the OMD nonsense. I just could never wrap my head around how a GROUP of immensely talented people could be on board with this enough to actually let it happen.
I’ve said for a long, long time now that I wouldn’t be intersted in writing any of the Spider-titles. But I retract that statement. I’d LOVE to write it now. Simply to kill Aunt May. Permanently. FOREVER. I’m going to make it that she HIRED the thief to rob the house as part of an insurance scam as Uncle Ben was out of work, and thus SHE is responible for his death and not Peter. It was SO rock the Spider-mythos to its VERY core. Fuck you Quesada! now thats DRAMA!
I liked the way they originally killed her in the early nineties that was a beautiful ending kind of ruined by the bullshit out they did to get out of it